lizbee: (Star Trek: Georgiou)
[personal profile] lizbee
I believe [personal profile] yiduiqie and I are going to cover this together in more detail on No Award, but I just wanted to say this before I go on to episode 2...

I HAVE A LOT OF FEELINGS. )
rj_anderson: (Doctor Who - Thing in Progress)
[personal profile] rj_anderson
[Crossposted from Facebook, feel free to ignore if you've already seen it there...]

Well into the second week of working on a new short story, and enjoying the writing process more than I have for a long time.

It's taken me eighteen months on sabbatical to get over the deeply ingrained habit of checking every few minutes to see how many words I've written, of feeling anxious that it's taking so long to get through a particular scene, of worrying that my time and effort has been wasted if I end up having to cut some or all of what I've written and start over the next day. Not to mention the voice of my Inner Editor nagging, "That scene is boring! That description is sappy! That conversation doesn't advance the plot! Nobody's going to like this. Give up and write something else."

It's not that I don't care anymore about making progress, or writing the best story I can. I'm just not measuring my work by the same rigid, merciless standards that used to suck away all the pleasure of writing for me. I don't have an outline for this story, just a vague notion of where I want it to end up and a few scattered ideas about how to get there -- and that's fine. I don't know who the audience for this story will be, or where I'm going to publish it once it's finished -- and that's fine, too. I'm writing it because I want to, not for the money or the market or the fear of losing my career if I don't. And that's the best feeling of all.

But it's taken me all this time to get there, because I drove myself so hard for so long, running on fear and guilt and sheer bloodyminded determination, that I couldn't remember how to write any other way.

Creative burnout is a real thing, ladies and gentlemen. Don't let it happen to you.
janedavitt: (starbyme)
[personal profile] janedavitt
I'd already part-edited Wild Raspberries so it didn't take too long to get it ready to post. The sequel Wintergreen will take a week or so to get ready.

When runaway Daniel Seaton inadvertently trespasses on Tyler Edward's land, Tyler nearly shoots him on sight.

Tyler's got a lot of years under his belt, and his past doesn't let him accept strangers easily. Dan's situation is dire enough that Tyler takes him home, at least for a little while, and that turns out to be a good decision when Tyler's injured and needs Dan's help.

Tyler's learning to trust, and Dan's settling in to a new life, but things aren't always what they seem. Between interfering friends, injuries, and their attraction to each other, Tyler and Dan have plenty of to deal with even before Tyler's previous career returns to haunt them. Can they overcome what lies in the past to have a future with each other?



Wild Raspberries at AO3

Free Book!

Sep. 16th, 2017 09:47 pm
janedavitt: (chainsbyme)
[personal profile] janedavitt
I got my Torquere books back and after reworking one to sell decided that I'd edit them to bring them in line with my current style (way less... and --) and offer them free as a thank you to all the kind readers out there.

The first of them, Drawing Closer, is also my first novel, published back in 2006. It's at AO3 and it's mild BDSM.

Charles is a professor, an expatriate Brit, and a man with a past. He's put that aside, living the peaceful life he thinks he needs. He figures he's happy.

Until he meets Gray Collins, that is. Persistent, stubborn, and hot, Gray turns Charles's world upside down and brings him a future he never expected, with links to a past he's tried to forget.


Drawing Closer
lizbee: (LoK: Daughters of Toph)
[personal profile] lizbee
Title: The Good Daughter
Author: LizBee
Fandom: Legend of Korra
Characters and Pairing: Lin; Opal; OFC
Rating: All-ages

Summary: Nima confronts her mother in Zaofu.

Notes: "Old Wounds", the President Beifong AU version (sort of).

'I saw you talking to Mom earlier. Do I have to apologise again?' )
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